the work consists of a note cropped out in paper and let to float, marking the ephemerality of any exhibition, be it in a dedicated space or in a public space. it follows also a reiteration of the process in which works are made, mounted on walls, documented, maybe talked about, while most of the proof lays in the visual documentation of the works.
this works also became, eventually, a way of critiquing the relevance of the resumes in the artworld, by adding it to my own resume, even though as an intervention.

[2021, Bucharest]